![Mizoram bamboo dance music](https://kumkoniak.com/85.jpg)
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The Mizos are fortunate enough in having traditional way of classification of their folk songs. Most of the songs of this period are named after the composers. The languages are more polished and the flows also better. In comparison with the folk songs of Thantlang and Lentlang settlement, the songs of this period are more developed in its number, form and contents. Prior to the annexation by the British Government, the Mizo occuÂpied the present Mizoram for two centuries. was another important era in the history of Mizo folk literature. The pre-colonial period, that is from 18th to 19th century A.D. The Mizo occupied the present Mizoram from late 17th century. They are mainly songs of individual experiences. The rational attitude to life is also absent. These couplets and triplets are very simple in nature. Triplets are found during the settlement of Lentlang. As recorded by B.Lalthangliana, the folk songs developed during this period were dar hla (songs on gong) Bawh hla (War chants), Hla do (Chants of hunting) Nauawih hla (Cradle songs) A greater development of songs can be seen from the settlement of Lentlang in Burma, estimated between late 15th to 17th Century AD1.Īs mentioned earlier, Couplets are the earliest followed by triplets. However, we have seen some couplets are developed during the settlement of Thantlang in Burma estimated between 1300-1400 AD. It is therefore, difficult to trace the origin, and to arrange the chronological sequences of the heritage of Mizo Music. Yet the origin of Mizo Music is a mystery.
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Some Indian cultures have very long musical histories but Mizo culture does not have such history. Every Society has its own traditional music and in every society, folk music is as old as the age of that society.
![Mizoram bamboo dance music](https://kumkoniak.com/85.jpg)